1972. The Water Hen. Performance by Kantor's Cricot 2 Theatre at the Forrest Hill Poorhouse.

1977. Carved kerbstone, Newgrange, Eire. Edinburgh Arts 1977.

UPSIDE DOWN

1971. Jozef Szajna. Replique. RDG. Edinburgh.

1976. Kantor. The Dead Class. Edinburgh.

1976. Kantor. The Dead Class. Edinburgh.

1976. Kantor. The Dead Class. Edinburgh.

1976. Kantor. The Dead Class. Edinburgh.

1977. Exhibition Card. Jimmy Boyle exhibition at the RDG. Atelier '77.

1985. Poster/ Notice (recto). Hugh Kyle: Drawings and Reliefs in Paper Pulp. Exhibition presented by the RDG.

1970. Document (page 4/5). Ref. 'Dusseldorf in Edinburgh'  (Strategy: Get Arts) exhibition, and 'Sound in Space' event at Edinburgh College of Art.

1973. Kantor's production of Lovelies and Dowdies at Forrest Hill Poorhouse, Edinburgh. Edinburgh Arts 1973.

1976. Baluachraig inscribed stone. Kilmartin, Argyll. Edinburgh Arts 1976.

DUPLICATE

1973. Letter from the City of Edinburgh Corporation to the RDG. Ref. permission for proposed installation by Christian Boltanski. Seven French Artists. Edinburgh Arts 1973.

1977. Exhibition Catalogue (cover). Louis le Brocquy: Studies Towards an Image of W.B. Yeats. RDG.

1976. Kantor/ Cricot 2 Theatre. The Dead Class. Riverside Studios, London.

1972. The Water Hen. Performance by Kantor's Cricot 2 Theatre at the Forrest Hill Poorhouse.

1973. Kantor's production of Lovelies and Dowdies at Forrest Hill Poorhouse, Edinburgh. Edinburgh Arts 1973.

1977. Barbara Smith's  'kissing booth'. The Woman's Building, Los Angeles.

1976. "20th century sculpture as a 'found object' - a small fragment of San Francisco's Sutro Baths".