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1973. Kantor. Lecture/ workshop at Forrest Hill Poorhouse. Edinburgh Arts 1973.
1975. Paul Neagu with his exhibition at the Saltire Society Gallery, Edinburgh.
1972. Michael Hunter. Performance at the RDG. Hunter and Raskin's Edinburgh Arts 1972 theatre production of Home Free.
1969. Press Cutting. The Scotsman. Ref. Neagu's proposed construction for Melville Crescent, Edinburgh.
1987. Neagu and Demarco. Edinburgh.
1975. Press Cutting. Times Educational Supplement. Review by Emilio Coia of Paul Neagu/ Generative Art Group exhibition at the Compass Gallery, Glasgow.
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1970. Letter from Demarco to Daniel Spoerri. ref. The Banana Trap Dinner. Strategy: Get Arts.
1973. Press Cutting. Edinburgh Evening News. Ref. installation by Edwin Owre at the RDG, Melville Crescent, Edinburgh. Edinburgh Arts 1973.
1976. Zofia Kalinska, Sean Connery, Micheline Roquebrune Connery at Edinburgh College of Art during Kantor's production of The Dead Class.
1970. Letter. Demarco to Mommartz. Ref. Strategy:Get Arts exhibition.
1974. Neagu. Going Tornado. Forrest Hill Poorhouse, Edinburgh. Edinburgh Arts 1974.
1973. Maria Stangret-Kantor. Lovelies and Dowdies. Performance by Kantor's Cricot 2 Theatre at Forrest Hill Poorhouse, Edinburgh.
DUPLICATE
1970. Letter from Lutz Mommartz to Richard Demarco, ref. Strategy: Get Arts exhibition.
1970. Letter (page 4/7) from Robert Filliou to Georg Jappe. Ref. The Vocational Game. Strategy: Get Arts.
DUPLICATE
1969. Document (page 3/4). Palpable Art Manifesto by Paul Neagu.
