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1976. Press Cutting. The Times. Review by Irving Wardle of The Dead Class by Kantor's Cricot 2 Theatre.
1970. Letter (page 2/2) from Gerhard Richter to Demarco.
1973. Newsletter (page 1/2). Ref. Proposed 'Regatta' event at Ian Hamilton Finlay's Stonypath, Edinburgh Arts 1973, and the Finlay/ Demarco collaboration 'A Calm in a Tea-cup' (Wild Hawthorn Press, 1973).
1973. Lovelies and Dowdies. Performance by Kantor's Cricot 2 Theatre at Forrest Hill Poorhouse, Edinburgh.
1970. Letter (page 1/2) from Gerhard Richter to Demarco.
1973. Press Cutting. Edinburgh Evening News. Ref. installation by Edwin Owre at the RDG, Melville Crescent, Edinburgh. Edinburgh Arts 1973.
1974. Neagu. Going Tornado. Forrest Hill Poorhouse, Edinburgh. Edinburgh Arts 1974.
1974. Neagu. Going Tornado. Forrest Hill Poorhouse, Edinburgh. Edinburgh Arts 1974.
1969. Document (page 1/4). Palpable Art Manifesto by Paul Neagu.
1975. Neagu. Gradually Going Tornado. Traverse Theatre, Edinburgh.
1969. Exhibition Card (verso). Demarco and Neagu exhibition at the British Council Centre, Edinburgh. Locations map drawing by Demarco.
1973. Newsletter (page 2/2). Ref. Proposed 'Regatta' event at Ian Hamilton Finlay's Stonypath, Edinburgh Arts 1973, and the Finlay/ Demarco collaboration 'A Calm in a Tea-cup' (Wild Hawthorn Press, 1973).
1972. Performance of The Water Hen by Tadeusz Kantor's Cricot 2 Theatre company at Forrest Hill Poorhouse, Edinburgh. Frank Dunlop in audience.
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1974. L-R: Caroline Tisdall, Mark Francis. A Rat Trap. Edinburgh Arts 1974.
1975. Press Cutting. Times Educational Supplement. Review by Emilio Coia of Paul Neagu/ Generative Art Group exhibition at the Compass Gallery, Glasgow.
1973. Lovelies and Dowdies. Performance by Kantor's Cricot 2 Theatre at Forrest Hill Poorhouse, Edinburgh. Kantor, right, Kalinska, left.
1970. Letter (page 2/7) from Robert Filliou to Georg Jappe. Ref. The Vocational Game. Strategy: Get Arts.
