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1972. Performance of The Water Hen by Tadeusz Kantor's Cricot 2 Theatre company at Forrest Hill Poorhouse, Edinburgh.
1971. Romanian artists in Edinburgh. L-R: Setran, Maitec, Neagu.
1970. Catalogue Page. Pavel Ilie. Bernea/ Ilie/ Neagu exhibition at Birmingham University.
1970. Catalogue Page. Paul Neagu. Neagu/ Bernea/ Ilie exhibition at Birmingham University, England.
1970. Catalogue Page. Neagu/ Bernea/ Ilie exhibition at Birmingham University.
1976. Zofia Kalinska, Sean Connery, Micheline Roquebrune Connery at Edinburgh College of Art during Kantor's production of The Dead Class.
1970. Letter (page 3/3) from Pat Douthwaite to Jennifer Gough-Cooper, with notes by Douthwaite on her works to be exhibited in the RDG's New Directions exhibition.
1976. George Oliver, Tadeusz Kantor and Cricot 2 Theatre company. Edinburgh College of Art. The Dead Class.
1973. Lovelies and Dowdies. Performance by Kantor's Cricot 2 Theatre at Forrest Hill Poorhouse, Edinburgh. Sean Connery in audience. Edinburgh Arts 1973.
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1973. Folding Card. 'A Calm in a Tea-cup', Ian Hamilton Finlay with Richard Demarco, after Kate Greenaway. Wild Hawthorn Press, 1973.
1974. Press Cutting. Aberdeen Evening Express. Ref. Paul Neagu's televised performance of Going Tornado (Grampian Television).
1977. Exhibition Notice (verso). Keane, Chaplin, Wilson, Neagu, Rolfe at Air Gallery, London.
1973. Lovelies and Dowdies. Performance by Kantor's Cricot 2 Theatre at Forrest Hill Poorhouse, Edinburgh. Kantor, right, Kalinska, left.
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1973. Newsletter (page 2/2). Ref. Proposed 'Regatta' event at Ian Hamilton Finlay's Stonypath, Edinburgh Arts 1973, and the Finlay/ Demarco collaboration 'A Calm in a Tea-cup' (Wild Hawthorn Press, 1973).
1969. Document (page 2/4). Palpable Art Manifesto by Paul Neagu.
1976. Neagu. Gradually Going Tornado. Arnolfini Gallery, Bristol.
