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1973. L-R: Maria-Stangret Kantor, Tadeusz Kantor, Garry Kennedy at Cafe Royal, Edinburgh. Edinburgh Arts 1973.
1973. Kantor's production of Lovelies and Dowdies at Forrest Hill Poorhouse, Edinburgh. Edinburgh Arts 1973.
1973. Kantor's production of Lovelies and Dowdies at Forrest Hill Poorhouse, Edinburgh. Edinburgh Arts 1973.
1973. Kantor's Cricot 2 Theatre production of Lovelies and Dowdies at Forrest Hill Poorhouse, Edinburgh. Edinburgh Arts 1973. Eduardo Paolozzi in audience.
1973. Lovelies and Dowdies. Performance by Kantor's Cricot 2 Theatre in Glasgow.
1973. Edinburgh Arts Revue at RDG. Edinburgh Arts 1973.
1973. Lovelies and Dowdies. Performance by Kantor's Cricot 2 Theatre in Glasgow.
1973. Lovelies and Dowdies. Performance by Kantor's Cricot 2 Theatre in Glasgow.
1973. Letter (page 2/3) from Antoine Grimaud (Groupe Lettriste, Paris) to Sally Holman (RDG administrator), ref. proposed programme of Lettriste films at the RDG.
1973. Letter from the City of Edinburgh Corporation to the RDG. Ref. permission for proposed installation by Christian Boltanski. Seven French Artists. Edinburgh Arts 1973.
1973. Melville College, Edinburgh. Venue for Edinburgh Arts 1973.
1973. Letter from Demarco to Nicholas Serota, Director of Museum of Modern Art, Oxford. Ref. Eight Yugoslav Artists exhibition.
1973. Document. Statement by Christian Boltanski. Ref. proposed installation project. Seven French Artists exhibition. Edinburgh Arts 1973.
1973. Kantor's Cricot 2 Theatre production of Lovelies and Dowdies at Forrest Hill Poorhouse, Edinburgh. Edinburgh Arts 1973.
1973. Lovelies and Dowdies. Performance by Kantor's Cricot Theatre at Forrest Hill Poorhouse.
1973. Letter from the City of Edinburgh Corporation to the RDG. Ref. refusal of permission for proposed installation by Christian Boltanski. Seven French Artists. Edinburgh Arts 1973.
1973. Lovelies and Dowdies. Performance by Kantor's Cricot 2 Theatre at Forrest Hill Poorhouse.
1973. Lovelies and Dowdies. Performance by Kantor's Cricot 2 Theatre at Forrest Hill Poorhouse.
