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1970. Letter (page 2/2) from Gerhard Richter to Demarco.
1969. Letter (page 2/2) from Ian Hamilton Finlay to Jennifer Gough-Cooper (ref. Finlay's exhibition at the RDG).
1970. Letter (page 6/7) from Robert Filliou to Georg Jappe. Ref. The Vocational Game. Strategy: Get Arts exhibition.
1975. lnvitation to Demarco from Paul Neagu. Ref. the opening of Neagu's Generative Art Group gallery, office and studio in London.
1972. Performance of The Water Hen by Tadeusz Kantor's Cricot 2 Theatre company at Forrest Hill Poorhouse, Edinburgh. Frank Dunlop in audience.
1977. Exhibition Brochure (page 2/2). James McGlade. The Sixth Day of the Moon.
1969. Document (page 3/4). Palpable Art Manifesto by Paul Neagu.
1976. Paul Neagu's Edinburgh Arts 1976 application form (page 2/4)
1970. Letter (page 7/7) from Robert Filliou to Georg Jappe. Ref. The Vocational Game. Strategy: Get Arts.
1973. Poster/ Notice. Film programme. The Austrian Exhibition. RDG Edinburgh Arts 1973.
1970. Letter (page 4/7) from Robert Filliou to Georg Jappe. Ref. The Vocational Game. Strategy: Get Arts.
1971. Letter from Paul Neagu to Jennifer Gough-Cooper (RDG administrator). Ref. Romanian Art Today exhibition.
1988. Private View Invitation Card (verso). Paul Neagu: Nine Catalytic Stations.
1984. Letter (page 3/3) from Ian Hamilton Finlay to Jane MacAllister (ref. RDG's Art and the Human Environment conference)
1970. Letter from Demarco to Paul Neagu.
1973. Lovelies and Dowdies. Performance by Kantor's Cricot 2 Theatre at Forrest Hill Poorhouse, Edinburgh.
1973. Folding Card. 'A Calm in a Tea-cup', Ian Hamilton Finlay with Richard Demarco, after Kate Greenaway. Wild Hawthorn Press, 1973.
1970. Letter from Demarco to Ian Hamilton Finlay.
