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1973. Lovelies and Dowdies. Performance by Kantor's Cricot 2 Theatre at Forrest Hill Poorhouse, Edinburgh.
1970. Letter from Ian Hamilton Finlay to Demarco.
1976. L-R: Borowski, Kantor, Gostomski, Hyams, Cardazzo, Anselmi at Edinburgh College of Art during Kantor's production of The Dead Class.
1972. Performance of The Water Hen by Tadeusz Kantor's Cricot 2 Theatre company at Forrest Hill Poorhouse, Edinburgh. Frank Dunlop participating in performance.
1972. Ryszard Stanislawski, director of the Lodz Museum of Art, Poland, at opening of the Atelier '72 exhibition at the RDG.
1973. Press Cutting. The Sunday Telegraph. Reviews by Alan Riddell and Michael Shepherd, ref. Kantor's production of Lovelies and Dowdies and RDG's exhibition programme.
DUPLICATE
1971. Romanian artists in Edinburgh. L-R: Maitec, Setran, Neagu.
1969. Exhibition Card. Six One-Man Shows at the RDG, Festival 1969. Showing photo-montage of Neagu's proposed structure in Melville Crescent, Edinburgh.
1970. Letter (page 1/3) from Ian Hamilton Finlay to Demarco, ref. Demarco's collaboration with Finlay on the poem/print 'A Rock Rose' 1970.
1972. Performance of The Water Hen by Tadeusz Kantor's Cricot 2 Theatre company at Forrest Hill Poorhouse, Edinburgh.
1973. Kantor. Lecture/ workshop at Forrest Hill Poorhouse, Edinburgh. Edinburgh Arts 1973.
1970. Letter from Demarco to Beuys. Ref. Demarco's photographic documentation of Celtic (Kinloch Rannoch) Scottish Symphony. Strategy: Get Arts.
1974. Neagu. Going Tornado. Forrest Hill Poorhouse, Edinburgh. Edinburgh Arts 1974.
1972. Performance of The Water Hen by Tadeusz Kantor's Cricot 2 Theatre company at Forrest Hill Poorhouse, Edinburgh. Frank Dunlop participating in performance.
1970. Letter (page 2/7) from Robert Filliou to Georg Jappe. Ref. The Vocational Game. Strategy: Get Arts.
1971. Letter from Demarco to Ian Hamilton Finlay (ref. Finlay's exhibition at RDG, December 1971)
1972. Paul Neagu's drawing workshop at Greyfriars Churchyard, Edinburgh. Edinburgh Arts 1972.
