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1972. Performance of The Water Hen by Tadeusz Kantor's Cricot 2 Theatre company at Forrest Hill Poorhouse, Edinburgh.
1969. Document (page 4/4). Palpable Art Manifesto by Paul Neagu.
1974. Neagu. Going Tornado. Forrest Hill Poorhouse, Edinburgh. Edinburgh Arts 1974.
1969. Document (page 2/4). Palpable Art Manifesto by Paul Neagu.
1972. Press Cutting. Financial Times. Review of Atelier '72 by Marina Vaizey.
1976. Kantor/ Cricot 2 Theatre. The Dead Class. London.
1976. Neagu. Gradually Going Tornado. Arnolfini Gallery, Bristol.
1976. Kantor/ Cricot 2 Theatre. The Dead Class. London.
1969. Document (page 3/4). Palpable Art Manifesto by Paul Neagu.
1970. Letter from Demarco to Horia Bernea.
1977. Exhibition Brochure (page 2/2). James McGlade. The Sixth Day of the Moon.
1973. Kantor, Demarco, Agutter, Oliver. Lecture/ workshop by Kantor at Forrest Hill Poorhouse. Edinburgh Arts 1973.
1969. Paul Neagu with his works. Bucharest, Romania.
1972. The Water Hen by Tadeusz Kantor's Cricot 2 Theatre company at Forrest Hill Poorhouse, Edinburgh.
1975. Neagu. Gradually Going Tornado. Traverse Theatre, Edinburgh.
1973. Letter (page 3/2) from Ian Hamilton Finlay to Demarco, ref. Finlay/ Demarco collaboration 'A Calm in a Tea-cup' (Wild Hawthorn Press, 1973)
1988. Private View Invitation Card (verso). Paul Neagu: Nine Catalytic Stations.
1973. Kantor. Lecture/ workshop at Forrest Hill Poorhouse, Edinburgh. Edinburgh Arts 1973.
