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1974. Letter from Ian Hamilton Finlay to Richard Demarco.
1969. Paul Neagu. Text by Robert Tait.
1976. Kantor/ Cricot 2 Theatre. The Dead Class. London.
1976. Kantor. The Dead Class. Edinburgh.
1976. Press Cutting. The Times. Review by Irving Wardle of The Dead Class by Kantor's Cricot 2 Theatre.
1976. Kantor/ Cricot 2 Theatre. The Dead Class. London.
1988. Exhibition Card. Paul Neagu: Nine Catalytic Stations. Presentede by the RDG and the Scottish Sculpture Trust at Traquair House, Peeblesshire, Scotland.
1970. Letter from Demarco to Gerhard Richter.
1976. Press Cutting. The Daily Telegraph. Theatre review by John Barber, ref. Kantor's Cricot 2 Theatre production of The Dead Class.
1970. Letter from Demarco to Daniel Spoerri. ref. The Banana Trap Dinner. Strategy: Get Arts.
1976. Exhibition Poster. Hornia Bernea and Paul Neagu exhibitions at the RDG.
1972. Paul Neagu's drawing workshop at Greyfriars Churchyard, Edinburgh. Edinburgh Arts 1972.
1969. Press Cutting. The Scotsman. Ref. Neagu's proposed construction for Melville Crescent, Edinburgh.
1973. Lovelies and Dowdies. Performance by Kantor's Cricot 2 Theatre at Forrest Hill Poorhouse, Edinburgh. Edinburgh Arts 1973.
1974. Neagu. Going Tornado. Forrest Hill Poorhouse, Edinburgh. Edinburgh Arts 1974.
1974. L-R: Caroline Tisdall, Mark Francis. A Rat Trap. Edinburgh Arts 1974.
1972. Paul Neagu's drawing workshop at Greyfriars Churchyard, Edinburgh. Edinburgh Arts 1972.
1970. Letter (page 3/7) from Robert Filliou to Georg Jappe. Ref. The Vocational Game. Strategy: Get Arts.
