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1972. Performance of The Water Hen by Tadeusz Kantor's Cricot 2 Theatre company at Forrest Hill Poorhouse, Edinburgh.
1972. Performance of The Water Hen by Tadeusz Kantor's Cricot 2 Theatre company at Forrest Hill Poorhouse, Edinburgh.
1976. Zofia Kalinska, Sean Connery, Micheline Roquebrune Connery at Edinburgh College of Art during Kantor's production of The Dead Class.
1970. Letter from Demarco to Beuys. Ref. Demarco's photographic documentation of Celtic (Kinloch Rannoch) Scottish Symphony. Strategy: Get Arts.
1976. Neagu and his Generative Art Group. Gradually Going Tornado. Arnolfini Gallery, Bristol.
1974. Neagu. Going Tornado. Forrest Hill Poorhouse, Edinburgh. Edinburgh Arts 1974.
1979. Paul Neagu exhibition at Third Eye Centre, Galsgow.
1969. Letter to Demarco from City of Edinburgh Corporation refusing Paul Neagu permission to erect a projected temporary structure in Melville Crescent, Edinburgh.
1970. Letter (page 2/7) from Robert Filliou to Georg Jappe. Ref. The Vocational Game. Strategy: Get Arts.
1973. Lovelies and Dowdies. Performance by Kantor's Cricot 2 Theatre at Forrest Hill Poorhouse, Edinburgh.
1976. Kantor/ Cricot 2 Theatre. The Dead Class. London.
1988. Exhibition Card. Paul Neagu: Nine Catalytic Stations. Presentede by the RDG and the Scottish Sculpture Trust at Traquair House, Peeblesshire, Scotland.
1973. Lovelies and Dowdies. Performance by Kantor's Cricot 2 Theatre at Forrest Hill Poorhouse, Edinburgh.
1976. Kantor. The Dead Class. Edinburgh.
1970. Letter (page 2/3) from Pat Douthwaite to Jennifer Gough-Cooper, with notes by Douthwaite on her works to be exhibited in the RDG's New Directions exhibition.
1972. Performance of The Water Hen by Tadeusz Kantor's Cricot 2 Theatre company at Forrest Hill Poorhouse, Edinburgh.
1970. George Oliver photographing the arrival of art works for Strategy: Get Arts exhibition at Edinburgh College of Art.
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