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1973. Lovelies and Dowdies. Performance by Kantor's Cricot 2 Theatre at Forrest Hill Poorhouse, Edinburgh. Edinburgh Arts 1973.
1976. Kantor/ Cricot 2 Theatre. The Dead Class. London.
1974. Neagu. Going Tornado. Forrest Hill Poorhouse, Edinburgh. Edinburgh Arts 1974.
1970. Letter from Demarco to Gerhard Richter.
1970. Letter (page 4/7) from Robert Filliou to Georg Jappe. Ref. The Vocational Game. Strategy: Get Arts.
1973. Press Cutting. Edinburgh Evening News. Ref. installation by Edwin Owre at the RDG, Melville Crescent, Edinburgh. Edinburgh Arts 1973.
Duplicate
1971. Letter to Demarco from Ian Hamilton Finlay.
1970. Letter (page 3/3) from Pat Douthwaite to Jennifer Gough-Cooper, with notes by Douthwaite on her works to be exhibited in the RDG's New Directions exhibition.
1973. Press Cutting. Frankfurter Allgemeine. Review of Kantor's production of Lovelies and Dowdies in Edinburgh by Renate Schostack.
1969. Works by Paul Neagu. 4 Romanian Artists exhibition at RDG.
1972. Paul Neagu's drawing workshop at Greyfriars Churchyard, Edinburgh. Edinburgh Arts 1972.
1974. Neagu. Going Tornado. Forrest Hill Poorhouse, Edinburgh. Edinburgh Arts 1974.
1976. Neagu. Gradually Going Tornado. Arnolfini Gallery, Bristol.
1970. Letter from Demarco to Horia Bernea.
1969. Press Cutting. The Scotsman. Ref. Neagu's proposed construction for Melville Crescent, Edinburgh.
1972. Performance of The Water Hen by Tadeusz Kantor's Cricot 2 Theatre company at Forrest Hill Poorhouse, Edinburgh. Frank Dunlop participating in performance.
1969. Exhibition Card (recto). Demarco and Neagu exhibition at the British Council Centre, Edinburgh.
