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1973. Newsletter (page 2/2). Ref. Proposed 'Regatta' event at Ian Hamilton Finlay's Stonypath, Edinburgh Arts 1973, and the Finlay/ Demarco collaboration 'A Calm in a Tea-cup' (Wild Hawthorn Press, 1973).
1969. Paul Neagu with his works. Bucharest, Romania.
1974. Neagu. Going Tornado. Forrest Hill Poorhouse, Edinburgh. Edinburgh Arts 1974.
1976. Poster/ Notice. Kantor's production of The Dead Class at Riverside Studios, London.
1972. Performance of The Water Hen by Tadeusz Kantor's Cricot 2 Theatre company at Forrest Hill Poorhouse, Edinburgh. Frank Dunlop participating in performance.
1972. R-L: Jack Burnham, Alec Finlay, Fredi Wolgin, Janis Lobel. Ian Hamilton Finlay's garden, Stonypath. Edinburgh Arts 1972.
1976. Letter from Demarco to Ian Hamilton Finlay discussing visits to Finlay's garden at Stonypath.
1971. Letter from Paul Neagu to Jennifer Gough-Cooper (RDG administrator). Ref. Romanian Art Today exhibition.
1976. L-R: Borowski, Kantor, Gostomski, Hyams, Cardazzo, Anselmi at Edinburgh College of Art during Kantor's production of The Dead Class.
1972. Performance of The Water Hen by Tadeusz Kantor's Cricot 2 Theatre company at Forrest Hill Poorhouse, Edinburgh.
1976. Neagu. Gradually Going Tornado. Arnolfini Gallery, Bristol.
DUPLICATE
1974. Neagu. Going Tornado. Forrest Hill Poorhouse, Edinburgh. Edinburgh Arts 1974.
1973. Press Cutting. Frankfurter Allgemeine. Review of Kantor's production of Lovelies and Dowdies in Edinburgh by Renate Schostack.
1971. Poland. Demarco and Polish artists.
1972. Paul Neagu's drawing workshop at Greyfriars Churchyard, Edinburgh. Edinburgh Arts 1972.
1973. Press Cutting. Edinburgh Evening News. Ref. installation by Edwin Owre at the RDG, Melville Crescent, Edinburgh. Edinburgh Arts 1973.
1973. Lovelies and Dowdies. Performance by Kantor's Cricot 2 Theatre at Forrest Hill Poorhouse, Edinburgh. Sean Connery in audience. Edinburgh Arts 1973.
