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1976. Press Cutting. The Times. Review by Irving Wardle of The Dead Class by Kantor's Cricot 2 Theatre.
1970. Letter (page 3/7) from Robert Filliou to Georg Jappe. Ref. The Vocational Game. Strategy: Get Arts.
1976. Neagu. Gradually Going Tornado. Arnolfini Gallery, Bristol.
1972. The Water Hen by Tadeusz Kantor's Cricot 2 Theatre company at Forrest Hill Poorhouse, Edinburgh.
1976. Kantor/ Cricot 2 Theatre. The Dead Class. London.
1974. Neagu. Going Tornado. Forrest Hill Poorhouse, Edinburgh. Edinburgh Arts 1974.
1972. Performance of The Water Hen by Tadeusz Kantor's Cricot 2 Theatre company at Forrest Hill Poorhouse, Edinburgh.
1973. Press Cutting. The Guardian. Review of Edinburgh Arts 1973 by Cordelia Oliver.
1969. Paul Neagu. Text by Robert Tait.
Duplicate
1969. Exhibition Card (verso). Demarco and Neagu exhibition at the British Council Centre, Edinburgh. Locations map drawing by Demarco.
1973. Lovelies and Dowdies. Performance by Kantor's Cricot 2 Theatre at Forrest Hill Poorhouse, Edinburgh.
1973. Kantor. Lecture/ workshop at Forrest Hill Poorhouse, Edinburgh. Edinburgh Arts 1973.
1972. Press Cutting. The Guardian. Tadeusz Kantor interviewed by Cordelia Oliver.
1970. Letter (page 5/7) from Robert Filliou to Georg Jappe. Ref. The Vocational Game. Strategy: Get Arts.
1976. Kantor/ Cricot 2 Theatre. The Dead Class. London.
1973. Press Cutting. The Sunday Telegraph. Reviews by Alan Riddell and Michael Shepherd, ref. Kantor's production of Lovelies and Dowdies and RDG's exhibition programme.
1974. Neagu. Going Tornado. Forrest Hill Poorhouse, Edinburgh. Edinburgh Arts 1974.