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1970. Letter (page 2/3) from Ian Hamilton Finlay to Demarco, ref. Demarco's collaboration with Finlay on the poem/ print 'A Rock Rose', 1970.
1973. Lovelies and Dowdies. Performance by Kantor's Cricot 2 Theatre at Forrest Hill Poorhouse, Edinburgh.
1974. Neagu. Going Tornado. Forrest Hill Poorhouse, Edinburgh. Edinburgh Arts 1974.
1976. Letter from Demarco to Ian Hamilton Finlay discussing visits to Finlay's garden at Stonypath.
1973. Kantor. Lecture/ workshop at Forrest Hill Poorhouse, Edinburgh. Edinburgh Arts 1973.
1973. Folding Card. 'A Calm in a Tea-cup', Ian Hamilton Finlay with Richard Demarco, after Kate Greenaway. Wild Hawthorn Press, 1973.
1969. Exhibition Card. Six One-Man Shows at the RDG, Festival 1969. Showing photo-montage of Neagu's proposed structure in Melville Crescent, Edinburgh.
1973. Letter (page 1/3) from Ian Hamilton Finlay to Demarco, ref. Finlay/ Demarco collaboration 'A Calm in a Tea-cup' (Wild Hawthorn Press, 1973)
1973. Press Cuttings. Glasgow Herald and The Scotsman. Ref. Kantor's Cricot 2 Theatre production of Lovelies and Dowdies at Forrest Hill Poorhouse, Edinburgh.
1972. Press Cutting. The Guardian. Tadeusz Kantor interviewed by Cordelia Oliver.
1969. Press Cutting. The Scotsman. Ref. Neagu's proposed construction for Melville Crescent, Edinburgh.
1988. Private View Invitation Card (verso). Paul Neagu: Nine Catalytic Stations.
1972. Installation by Kevin Atkinson at Hopetoun House, South Queensferry.
1971. Letter from Paul Neagu to Jennifer Gough-Cooper (RDG administrator). Ref. Romanian Art Today exhibition.
1976. Press Cutting. The Times. Review by Irving Wardle of The Dead Class by Kantor's Cricot 2 Theatre.
1979. Paul Neagu and Chris Carrell. Neagu exhibition at Third Eye Centre, Glasgow.
1975. Press Cutting. Times Educational Supplement. Review by Emilio Coia of Paul Neagu/ Generative Art Group exhibition at the Compass Gallery, Glasgow.
1971. Poland. Demarco and Polish artists.
