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1976. Kantor/ Cricot 2 Theatre. The Dead Class. Riverside Studios, London.
1976. Kantor/ Cricot 2 Theatre. The Dead Class. Riverside Studios, London.
1976. Kantor/ Cricot 2 Theatre. The Dead Class. Riverside Studios, London.
1976. Kantor/ Cricot 2 Theatre. The Dead Class. Riverside Studios, London.
1970. Letter from Jennifer Gough-Cooper to photographer George Oliver. Ref. Oliver's commission to document the Strategy: Get Arts exhibition for the RDG.
1980. Preliminary Budget Summary. Joseph Beuys and the Free International University.
1970. George Jappe review of Strategy: Get Arts. Frankfurter Allgemeine.
1976. Kantor/ Cricot 2 Theatre. The Dead Class. Riverside Studios, London.
1986. Itinerary. Beuys Tribute on Rannoch Moor.
1970. Document (page 1/5). Ref. 'Dusseldorf in Edinburgh' (Strategy: Get Arts) exhibition and 'Sound in Space' event at Edinburgh College of Art.
1970. Document (Page 5/5). Ref. 'Dusseldorf in Edinburgh' (Strategy: Get Arts) exhibition, and 'Sound in Space' event at Edinburgh College of Art.
1972. Information Sheet. Kantor's Cricot 2 thetare production of The Water Hen at Forrest Hill Poorhouse, Edinburgh.
1970. Document (page 3/5). Ref. 'Dusseldorf in Edinburgh' (Strategy: Get Arts) exhibition, and 'Sound in Space event at Edinburgh College of Art.
1972. Kantor's Cricot 2 theatre production of Les Cordonniers at Theatre 71, Paris.
1976. Kantor/ Cricot 2 Theatre. The Dead Class. Riverside Studios, London.
1972. Foksal Gallery director Wieslaw Borowski. Atelier '72, Edinburgh.
1985. Kantor/ Cricot 2 Theatre. Let the Artists Die. Nuremberg. Germany.
1970. Document (page 2/5). Ref. 'Dusseldorf in Edinburgh' (Strategy:Get Arts) exhibition and 'Sound in Space' event at Edinburgh College of Art.
