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1979. Application Form (recto). Edinburgh Arts 1979.
1970. Gunter Weseler. Strategy: Get Arts. Edinburgh College of Art.
1979. Jimmy Boyle with Edinburgh Arts group at the Special Unit, Barlinnie Prison, Glasgow. Edinburgh Arts 1979.
1979. L-R: Todd Siler, Wieslaw Borowski, Chris Carrell. Kilmartin Glen, Scotland. Edinburgh Arts 1979.
1972. Warpechowski performance. Atelier '72, Edinburgh.
1974. Marina Abramovic's studio. Documentation of Rhythm 10. Belgrade. Serbia.
1973. Hollein, Spens, England with Maria Stangret-Kantor at Forrest Hill Poorhouse. Edinburgh Arts.
1979. Todd Siler, Wieslaw Borowski and Chris Carrell. Baluachraig inscribed stone. Kilmartin, Argyll. Edinburgh Arts 1979.
1976. Fragment of 15th century cross. Kilmartin churchyard, Argyll. Edinburgh Arts 1976.
1973. Audience at Kantor's production of Lovelies and Dowdies at Forrest Hill Poorhouse, Edinburgh. Edinburgh Arts 1973.
1973. Kantor's production of Lovelies and Dowdies at Forrest Hill Poorhouse, Edinburgh. Edinburgh Arts 1973.
1973. Kantor, Borowski, Herstand in Edinburgh. Edinburgh Arts 1973.
1973. Jim Buchan, Gillian Widdicombe, Sandy Dunbar. Edinburgh Arts 1973.
1970. Beuys, Christiansen, Celtic (Kinloch Rannoch) Scottish Symphony. Strategy: Get Arts. Edinburgh College of Art.
1972. Letter from Demarco to Dr Stephen Bann, ref. lecture on Ian Hamilton Finlay. Edinburgh Arts 1972.
1973. Lovelies and Dowdies. Performance by Kantor's Cricot 2 Theatre in Glasgow.
1973. Kantor lecture/workshop at Forrest Hill Poorhouse, Edinburgh. Edinburgh Arts 1973.
1976. Kantor. The Dead Class. Edinburgh.
