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1972. Information Sheet. Kantor's Cricot 2 thetare production of The Water Hen at Forrest Hill Poorhouse, Edinburgh.
1985. Kantor/ Cricot 2 Theatre. Let the Artists Die. Nuremberg, Germany.
1976. Kantor/ Cricot 2 Theatre. The Dead Class. Riverside Studios, London.
1976. Kantor/ Cricot 2 Theatre. The Dead Class. Riverside Studios, London.
1976. Kantor/ Cricot 2 Theatre. The Dead Class. London.
1970. Letter (page 3/3) from Demarco to Dr Brigitte Lohmeyer, Cultural Officer of the German Embassy, London. Ref. Strategy: Get Arts.
1976. Kantor/ Cricot 2 Theatre. The Dead Class. Riverside Studios, London.
1985. Kantor/ Cricot 2 Theatre. Let the Artists Die. Nuremberg, Germany.
1970. Letter from Jennifer Gough-Cooper to photographer George Oliver. Ref. Oliver's commission to document the Strategy: Get Arts exhibition for the RDG.
1972. Kantor's Cricot 2 theatre production of Les Cordonniers at Theatre 71, Paris.
1976. Kantor at Riverside Studios, London.
1972. Kantor's Cricot 2 theatre production of Les Cordonniers at Theatre 71, Paris.
1972. Foksal Gallery director Wieslaw Borowski. Atelier '72, Edinburgh.
1980. Projected Programme (Page 3/9). Beuys and the Free International University.
1980. Report (Page 3/3). Beuys and the Free International University.
1986. Letter from Eva Beuys to Demarco (Ref. proposed publication of Demarco interview with Beuys in 1982).
1975. Letter from Demarco to Beuys (ref. Boyle exhibion at RDG, 1976)
1975. Marina Abramovic. Warm/Cold. Aspects '75. Edinburgh.
